April 11, 2010
Is there a Purpose in Digging Holes?
This novel will be tested in the current English Literature paper in SPM in 2010 and 2011.
Written by Louis Sachar, it is an interesting book on the goings-on in a boy's detention camp called Camp Green Lake. This book is easy reading. It is exciting and is a page turner. Meet the characters such as Stanley Yelnats,Zero,X-ray and Mr Sir, The Warden and rattlesnakes and the much dreaded deadly desert lizards with the orange spots.
Though it is about a boy growing up in harsh conditions and about buried treasure,this book is at once profound and full of issues from inter-racial liaisons to onions, inventions to a pair of smelly shoes.
Our story begins with an exposition of Stanley Yelnats, the protagonist on a bus as he surveys the desert wasteland which will become home for him until his period of detention is over. He felt strange when there was no lake, no green except for two trees near the cabin and a multitude of holes everywhere in the desert.
The actual fun starts when he finds an old lipstick shell belonging to a female robber called Kissing Kate Bigelow. From then on it is rising action until the climactic find of God's Thumb,the treasure chest and the appearance of the desert lizards. The falling action starts with the arrival of the Attorney General and the patent lawyer. The resolution sees the release of both Stanley and Zero and the eventual closure of the detention camp.
Great book. Every one should read it.
Labels:
Learning English
Julius Caesar: His Ghost Triumphs!
In Act 5, Scene 1,we are shown a scene of a potential battlefield.Here, Octavius and Antony, learns from a messenger that Brutus and Cassius are near and something must be done. Antony orders Octavius to, "lead your battle softly on / Upon the left hand of the even field" (5.1.16-17). Octavius disagrees and decides to march on the right hand side instead. Annoyed, Antony asks, "Why do you cross me in this exigent?" (5.1.19). to which Octavius responded, "I do not cross you, but I will do so" (5.1.20).
Brutus and Cassius arrive at the head of their army. Octavius asks if he should give the sign of battle, and Antony says, "No, Caesar, we will answer on their charge" (5.1.24). The generals all meet and converse, but only to insult each other. Antony accuses Brutus and Cassius of being "villains," whereas Cassius tells Brutus that they would not have to listen to Antony now if he had been allowed to kill him as he originally wanted to. All 4 generals refused to back down and so return to their armies to prepare for battle.
Cassius calls Messala over and tells him that this battle is somewhat similar to the one Pompey fought and lost against Caesar. He points out that although not normally superstitious, he is upset by the fact that two eagles who accompanied the army all the way from Sardis have been replaced by crows and ravens, symbols of bad things to come. He ends his speech by stating, "Our army lies ready to give the ghost" (5.1.88).
Cassius then talks to Brutus and asks him what he will do if they should lose the battle. Brutus rejects suicide, but also tells Cassius that he will never be dragged through the streets of Rome as a bound prisoner. The two generals say a dramatic farewell and return to their respective armies to prepare for battle.
We now turn to Scene 2.
This is a very short, fast moving scene. The battle begins and Brutus gives Messala orders to bring to Cassius. He tells Messala to inform Cassius that he needs to advance faster in order to catch Octavius' flank which is not fighting very well.
We are now in Scene 3.
Cassius is upset as he is fearful his men may desert the battlefield. He tells Titinius that he had personally killed his standard-bearer who tried to run away, taking up the banner himself. Titinius informs him in turn that Brutus "gave the word too early" (5.3.5) and that his soldiers quickly started looting the enemy camp once they captured it. In the meantime, Antony's army surrounds Cassius.
Pindarus comes by to tell Cassius to run further away. He informs his general that the tents have been taken and are burning in the distance. Cassius sends Titinius to check on some soldiers and find out if they are his men or not, and simultaneously sends Pindarus up a hill to watch and see what happens. Pindarus,however, misinforms him, telling him that Titinius is captured and killed by the troops.
Cassius calls Pindarus back down from the hill and hands him the sword with which he stabbed Caesar. He tells Pindarus to take the sword and stab him with it. Pindarus obeys, killing Cassius on the spot. He runs away.
Titinius and Messala return to where Cassius lies dead. Titinius has a wreath of laurels on his head, a sign of victory, and is telling Messala that Brutus has defeated Octavius but Antony has conquered Cassius' army. He sees Cassius on the ground and realizes that Cassius misunderstood what happened on the battle field. Titinius sends Messala to Brutus to tell him what has happened. He then turns to Cassius' body and says, "Alas, thou hast misconstrued everything" (5.3.83). Titinius then picks up Cassius' sword and kills himself.
Brutus arrives and sees the two dead bodies lying on the ground. He remarks, "Oh Julius Caesar, thou art mighty yet" (5.3.93). Brutus quickly recovers from the loss of his confederate and immediately orders the soldiers to prepare for another battle, this time against Antony.
In Scene 4, we see Brutus still leading his troops. He encourages his men to press on fighting and leaves them in the midst of battle. Cato valiantly fights but is killed. Lucillius pretends to be Brutus and challenges the soldiers, but is quickly captured. The soldiers send for Antony, thinking they have finally captured Brutus. Antony arrives and recognizes Lucillius and tells his soldiers that although they did not get Brutus, they still captured a nobleman. He orders his soldiers to continue fighting. In the final Scene 5, Brutus arrives accompanied by several stragglers from his defeated army. He first asks Clitus and then Dardanius to kill him so that he will not be captured. Both refused. Volumnius was next to be asked to do the deed. He tells Brutus ,"That's not the office for a friend, my lord" (5.5.29). Hearing another call to battle, Brutus hastily gets up and orders his men to flee ahead of him. He keeps back Strato whom he finally convinces to hold his sword and he impaled himself against it.
Antony and Octavius arrive with their army. They find Brutus dead on the ground and Strato nearby. Strato informs them how Brutus died, and Antony states, "This was the noblest Roman of them all" (5.5.67). He says that of all the conspirators only Brutus believed that he was killing Caesar to uphold the Roman Republic; the others were simply jealous and power hungry. Antony continues, saying, "his life was gentle, and the elements / So mixed in him that nature might stand up / And say to all the world 'This was a man'" (5.5.74). Octavius orders the body placed in his tent and to cease fighting. The play ends with Octavius stating, "So call the field to rest, and let's away / To part the glories of this happy day" (5.5.79-80).
Let’s have an analysis of this closing scene.
Analysis
For the first time in the play Octavius emerges as a new leader. It has been said that each act of the play belongs to a different man. Thus the first act belongs to Cassius, the second to Brutus, the third to Caesar, the fourth to Antony, and the last act to Octavius. When Antony orders Octavius to, "lead your battle softly on / Upon the left hand of the even field" (5.1.16-17), he is contradicted for the first time. Octavius decides to march on the right hand side instead. Antony, annoyed by this challenge to his power, asks, "Why do you cross me in this exigent?" (5.1.19). Octavius replies, "I do not cross you, but I will do so" (5.1.20). This statement also foreshadows how Octavius will eventually cross Antony by removing him from power. By the end of Act 5, Octavius rules singly. Unlike Caesar, with whom the audience saw a personal side, Octavius is depicted as ruthless, barely human, and a politician without moral scruples or emotional conflict.
This shift in power from Antony to Octavius is signified through the use of names. Up until the point where Octavius challenges Antony, he is referred to as "young Octavius". Only after Octavius asserts his authority is he referred to without the demeaning modifier. After asking Antony if he should give the sign of battle, Antony replies to Octavius, "No, Caesar, we will answer on their charge" (5.1.24). For the first time, Octavius is called only "Caesar", and for the rest of the play is referred to similarly, even by Cassius.
The omens first seen in Act 1 reappear here as well. In fact, Cassius is so overwhelmed by the omens that he compares this battle to the one that Pompey fought and lost. Cassius speaks of the noble eagles being replaced by kites and ravens, a change considered to be a very bad sign. This superstition leads him to believe that he will lose the battle, and he remarks, "Our army lies ready to give the ghost" (5.1.88). The ghost, of course, is that of Caesar, whose presence and memory is the reason for battle.
The deaths of Cassius and Brutus demonstrate that Caesar, even in death, is as strong as ever. His spirit dominates in the battle. Cassius' last words are, "Caesar, thou art revenged, / Even with the sword that killed thee" (5.3.44-45). Brutus also invokes the image of Caesar, not only when dying, but also when he sees Cassius dead on the ground. He says, "Oh Julius Caesar, thou art mighty yet" (5.3.93). As he commits suicide he again mentions Caesar, saying, "Caesar, now be still. / I killed not thee with half so good a will." (5.5.50-51).
Titinius, when he discovers Cassius, recalls Cicero’s words at the beginning about men construing the plot as they saw fit. He speaks to Cassius and says, "Alas, thou hast misconstrued everything" (5.3.83). This remark, meant to imply that Cassius killed himself because he was too quick to assume defeat, also is a comment on the fact that Cassius killed Caesar. It can easily be interpreted as stating that Cassius misconstrued the facts about Caesar, allowing him to convince Brutus to join the conspirators through his plots. This further implies that even the necessity of killing Caesar was misconstrued, thus giving it a literal meaning, "thou hast misconstrued everything."
At Brutus' death, Strato comments, "For Brutus only overcame himself" (5.5.56). This represents the fact that for Brutus this play is a tragedy, a play about dealing with the internal struggle of whether to support Caesar as a friend or kill him as a dictator. It is this internal struggle which causes the civil war between Brutus and Antony, and the deaths of so many Romans.
Brutus' inability to overcome his internal struggle allows Antony to say, "This was the noblest Roman of them all" (5.5.67). He is implying that only Brutus really believed that he was killing Caesar to uphold the Roman Republic. However, the audience must remember how easily Cassius manipulated Brutus into murdering Caesar. Despite his seeming eagerness to achieve power, Brutus is the only conspirator to maintain his humanity and dignity throughout the play. He stands as a symbol of honor against the dishonorable Cassius who lies, manipulates, and wishes to take bribes, and Brutus' rhetoric implies that he would never have killed Caesar except to defend the Roman Republic. Thus Antony continues his epilogue for Brutus, saying, "his life was gentle, and the elements / So mixed in him that nature might stand up / And say to all the world 'This was a man'" (5.5.74)
Brutus' tragic ending is, however, mirrored by the ascension of Octavius. Thus, the play's conclusion combines the sad defeat of the "noblest Roman" with the victorious emergence of a new Caesar. It is therefore Octavius, not Antony, who ends the play with the lines, "So call the field to rest, and let's away / To part the glories of this happy day" (5.5.79-80). Happy is hardly the words the audience would use to describe what has taken place. Yet, for Octavius, this is the day that begins his rule over Rome and is worthy of celebration.
On reflection, can we thus say that the entire play is based on false misinterpretations of what Caesar is all about. Did they interpret him according of what they believe so or wrongly heard of his wild ambitions and his sense of injustices? Cassius misconstrues Caesar in wanton jealousy. It was he who started poisoning the rest of the conspirators. It was he that tricked Brutus. As for Brutus,was he not more misled by his own naked ambition and his ‘personal’ interpretation of what ‘Roman honour’ is?
Labels:
Learning English
Julius Caesar: Climaxing in Death
In Act III, Scene 1, we see Caesar, along with the conspirators heading to the Senate House. He sees the soothsayer and tells him that the ides of March have come. To this, the soothsayer responds with, "Ay, Caesar, but not gone". (3.1.2). However, Caesar is not concerned and continues on his way to the Senate.
Next, Artemidorus attempts to hand Caesar his letter, explaining its contents affect him personally, but Decius responds quickly, telling Caesar the Trebonius has a document for him to read instead. Caesar tells Artemidorus that, "What touches us ourself shall be last served" (3.1.7).
As they approach the Senate House, Trebonius pulls Mark Antony aside and away from Caesar, making him more vulnerable to attack. Caesar takes his seat in the Senate and proceeds to allow Metellus Cimber to petition him. The man throws himself down at Caesar's feet begging for his brother's release from banishment, but is ordered to stand.
Caesar tells him that fawning will not win him any favors, and that, "Know Caesar doth not wrong but with just cause" (3.1.47). At this Brutus comes forward, to Caesar's great surprise, and pleads for the man's brother. Cassius soon joins him. Caesar tells them his decision is, "constant as the Northern Star" and that he will not remove the banishment. Cinna approaches and Caesar tells him, "Hence! wilt thou lift up Olympus?" (3.1.73). Decius and Ligarius come forward and kneel before him as well. Finally Casca also kneels and says, "Speak hands for me" (3.1.76), and stabs Caesar. All the conspirators continue to stab him as he falls saying, "Et tu, Brute? - Then fall Caesar" (3.1.77).
Cinna immediately starts crying out, "Liberty! Freedom! Tyranny is dead!" (3.1.78) The other senators all run out of the Senate House in confusion while the conspirators stay together to protect themselves. Brutus finally tells them to,
"Stoop, Romans, stoop.
And let us bathe our hands in Caesar's blood
Up to the elbows, and besmear our swords;
Then walk we forth even to the marketplace,
And, waving our red weapons o'er our heads,
Let's all cry out 'peace, freedom, and liberty!'" (3.1.106-111).
Cassius continues this exultation of their deed, saying, "How many ages hence / Shall this our lofty scene be acted over, / In states unborn and accents yet unknown!" (3.1.112-114). Cassius further adds that they will be known as, "The men that gave their country liberty" (3.1.118).
The servant of Mark Antony arrives and falls prostrate before Brutus, telling Brutus that Antony wishes to meet with him to learn why Caesar had to die. Brutus promises Antony will not be harmed and tells the servant to bring him. Cassius tells Brutus that he still has misgivings about Antony even though he has promised not to hurt him.
Antony arrives and laments the death of Caesar, imploring the murderers, specifically Brutus, to explain why Caesar had to be killed. Brutus tells him that Caesar was destroying the republic and had to be removed from power. Antony pretends to be convinced by this and asks the conspirators to, "Let each man render me his bloody hand" (3.1.185). He then shakes hands with each of them, naming them as he faces each man. The last hand he takes is that of Trebonius, who actually did not commit the murder, but distracted Mark Antony so he would not be able to protect Caesar.
Antony quickly recants his agreement with the murderers, and tells Cassius that he almost joined them after shaking their hands. He was swayed at the sight of Caesar's body. He asks them if he may have permission to take the body to the marketplace and show it to the crowds. Brutus gives him permission to do this, but Cassius warns, "You know not what you do. Do not consent / That Antony speak in his funeral. / Know you how much the people may be moved / By that which he will utter?" (3.1.234-237). As a compromise, Brutus decides to give his speech first, and to allow Antony to speak afterwards, provided that Antony only says positive things about the conspirators. Antony agrees.
Left alone with the body of Caesar, Antony says, "O pardon me, thou bleeding piece of earth / That I am meek and gentle with these butcher" (3.1.257-258). He continues, becoming ever more violent in his speech, "Domestic fury and fierce civil strife / Shall cumber all the parts of Italy" (3.1.266-267). A servant sent from Octavius Caesar arrives and sees the body. Antony tells him to stay for the funeral eulogies in the marketplace and report back to Octavius on the state of affairs in Rome. Together they carry out Caesar's body.
Let us proceed to Scene 2.
Brutus and Cassius tell the plebeians to follow them in order to hear an explanation for the murder. They split the crowd into two sections and Cassius leaves to speak to one group while Brutus speaks to the other. Brutus tells the masses that he loved Caesar more than any of them, but that he killed Caesar because he loved Rome more. He says, "As Caesar loved me, I weep for him. As he was fortunate, I rejoice at it. As he was valiant, I honor him. But as he was ambitious, I slew him" (3.2.23-25). Brutus then asks them if they wish him to die for his actions, to which the crowd replies, "Live, Brutus, live, live!" (3.2.44). Lastly, he begs them listen to Mark Antony and to let him depart alone. Thus, he leaves Mark Antony alone to give his oration.
Antony's speech begins with the famous lines, "Friends, Romans, countrymen, lend me your ears" (3.2.70). His speech continually praises Brutus as "an honourable man" who has killed Caesar for being ambitious yet also describes Caesar as the most honorable and generous of men. In this way, Antony appears to praise his friend while respecting the men who murdered him, when in fact; Antony is inciting the crowd against Brutus, Cassius and the conspirators.
The plebeians are easily swayed and conclude that Caesar was not ambitious but was wrongly murdered. Next, after the plebeians beg, Antony reads Caesar's will after descending into the masses and standing next to Caesar's body. He shows them the stab wounds and names the conspirators who gave Caesar the wounds. The crowd starts to surge away in anarchy, crying, "Revenge! About! Seek! Burn! Fire! Kill! Slay!" (3.2.196). Antony stops them and finally reads the will, in which Caesar has given every Roman citizen seventy-five drachmas and the freedom to roam his land. The plebeians react in a frenzy of anger against the men who killed Caesar, and carry away the body. Antony says, "Now let it work. Mischief, thou art afoot. / Take thou what course thou wilt" (3.2.248-249). The servant of Octavius arrives and tells Antony that Octavius is already in Rome and is waiting for him at Caesar's house. That ends Scene 2.
In Scene 3, Cinna the poet (not Cinna the conspirator) is unable to sleep that night and wanders through the streets of Rome. Some plebeians find him and demand to know who he is and what he is doing on the street. He tells them that he is going to Caesar's funeral as a friend of Caesar. When they ask him his name, he tells them Cinna, at which the plebeians cry, "Tear him to pieces! He's a conspirator" (3.3.27). Cinna responds by saying, "I am Cinna the poet, I am Cinna the poet" (3.3.28), but they attack him anyway and carry him away.
Let’s now have an analysis of Act 3.
Analysis:
The images of Caesar throughout the play are those of constancy and greatness. Caesar himself exclaims, "But I am constant as the northern star" (3.1.60), "Hence! wilt thou lift up Olympus?" (3.1.73). Cassius even angrily compares Caesar to the Colossus, saying, "Why, man, he doth bestride the narrow world / Like a Colossus, and we petty men / Walk under his huge legs and peep about" (1.2.136-138). Thus when Caesar falls, the world falls into chaos. There is no one able to replace Caesar's power immediately after his death, and so anarchy reigns until Octavius eventually seizes power in the final lines of the play.
Caesar's greatest flaw is his refusal to acknowledge his mortality. Often referring to himself in the third person, he develops a sense of greatness and godliness that distracts him from taking appropriate precautions. Artemidorus tries to hand him a note warning him about the dangers of the conspirators, but Caesar refuses because Artemidorus informs him that the note is personal. "What touches us ourself shall be last served" (3.1.7).
The moments immediately following Caesar's death are highly ironic, as the murderers cry out, "Liberty! Freedom! Tyranny is dead!" (3.1.78). They have committed an extralegal act and yet now cry out in the name of liberty. Next, they dip their hands in Caesar's blood:
"Stoop, Romans, stoop.
And let us bathe our hands in Caesar's blood
Up to the elbows, and besmear our swords;
Then walk we forth even to the marketplace,
And, waving our red weapons o'er our heads,
Let's all cry out 'peace, freedom, and liberty!'" (3.1.106-111).
Cassius remarks, "How many ages hence / Shall this our lofty scene be acted over, / In states unborn and accents yet unknown!" (3.1.112-114). These lines, alluding to Shakespeare's retelling of Julius Caesar's story, were used even during the French Revolution, due to their simultaneous expression of grotesque death and the rallying cry of "peace, freedom, and liberty!". Brutus and the other conspirators fail to grasp the hypocrisy of their actions.
Mark Antony does not believe the conspirators are justified in crying "peace", and is the first to condemn their actions. When Antony states, "Let each man render me his bloody hand" (3.1.185), he is marking them for revenge rather than celebrating their actions. Even Trebonius, who did not stab Caesar, but prevented Antony from protecting him, is marked by Antony. Antony shakes hands with Trebonius last, literally transferring Caesar's blood, collected from his previous handshakes, to his clean hands to implicate him in complicity of the murder.
At this moment, Antony symbolizes anarchy. He blames the conspirators and mark them for revenge. He shows his taste for chaos when finally left alone with Caesar, he says, "O pardon me, thou bleeding piece of earth / That I am meek and gentle with these butchers" (3.1.257-258). His final words indicate his goals, stating, "Domestic fury and fierce civil strife / Shall cumber all the parts of Italy" (3.1.266-267).
Indeed, Anarchy does rule by the final scene of Act III, in which innocent Cinna the poet is killed indiscriminately because his namesake was one of the murderers. This scene, in which the plebeians are unwilling to listen to Cinna, expresses the death of not only order but also of literature and reason. Cinna cries out, "I am Cinna the Poet" (3.3.28), at which the crowd simply changes its charges against him to, "Tear him for his bad verses" (3.3.29). The death of Cinna is an attack on men of words and literature, and marks the first time a poet, often an icon of political rebellion, is ignored. Later on in the play, a poet tries to separate Brutus and Cassius during a great argument, but is ignored and sent away. Perhaps, with these examples, Shakespeare is seeking the audience to give more weight to the work of poets and writers in the affairs of the world.
Critics often point out Brutus' tactical errors which lead to his eventual loss. Brutus' first grave mistake is allowing Mark Antony to live. However, his greatest mistake is allowing Antony to speak to the crowds. Cassius' fears are justified when Antony turns the crowd against the conspirators. Furthermore, Brutus leaves Antony alone with the crowd, thereby losing all control of the situation.
Antony realizes the nature of the people he is dealing with, and tells the crowd, "You are not wood, you are not stones, but men" (3.2.139). This contrasts with Murellus in the very first scene who calls the crowd, "You blocks, you stones, you worse than senseless things" (1.1.34). Antony is able to influence the crowd because he flatters them and uses repetition and poetry to drive his points home. With this careful manipulation, Antony overcomes Brutus, who instead addressed the crowd in prose, syllogisms and logic. However, although a powerful speaker, Antony relies on Caesar's body and will to win the crowd over. Thus, the audience sees the continual influence Caesar maintains over events, even after his death. Antony says that he would, "put a tongue / In every wound of Caesar that should move / The stones of Rome to rise and mutiny" (3.2.219-221).
Labels:
Language Learning
Subscribe to:
Posts (Atom)